Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Tuesday, December 7, 2021

Seasons of Love




 
Walter's yahrzeit is coming up. December 16 2021 will be the third anniversary of his death. I remain weirdly disoriented by his not being here. Sometimes I feel as though he had never been here in my life, sometimes I feel that he died last week. Every time I deal with something but remain dissatisfied with the outcome, I feel that he would have handled it better. At the least, he would have been able to reconcile me to the imperfect situation.

The house is still full of stuff from our life together, even though I have divested myself of things that have nothing to do with my life alone. The practice cello, for instance. He hadn't played it in our 35 years together. Neither had his daughters. I offered it to them but they didn't want it, Turns out it was a good cello to begin with, a good tone, but it would need a lot of repair to be in good condition again. The bow was actually worth more than the cello. They're both gone now, as is the old-school metronome I gave him (wooden, spring-driven). I never found it helpful to play or sing with a metronome, and I'm unlikely to start now. It gave him joy to see them all in the house, though, even after he stopped being able to use them.

Walter did a lot of looking, and a lot of seeing. He noticed, he saw, he thought about what he saw, he made connections. I have long thought that curiosity is an under-appreciated trait, and Walter was certainly curious about the world around him, the people around him, the possibilities around him. You can see that, in his seeing, he was experiencing--something.


Tuesday, December 1, 2015

Now playing on K-REN


Above, a sheet music store on the Left Bank of the Seine, across from the bouquinistes.
Below, Tuvan musicians playing outside the Beaubourg Pompidou.


I get earworms. It's not a medical condition, although it may perhaps be a neurological one. I'll get a tune in my head and it will play and play, and repeat and play some more. I think of it as K-REN, the soundtrack of my life. Today, for instance, I've got an entire set, including so far:

"Runaway" https://www.youtube.com/watch?v=ziLagAgoPCE

"I Feel Free" https://www.youtube.com/watch?v=Qb_Uu0eTNWk

"Denn alles Fleisch, es ist wie Gras" https://www.youtube.com/watch?v=yg7sU5B_ibM

I know, I know--it's a very weird playlist. I don't really have a good interpretation of why these pieces of music are insisting that I listen to them. These particular clips have ads, but you can usually skip them after a few seconds.

Saturday, July 4, 2015

When strange things start to emerge, part 2


Wolfgang Amadeus Mozart, the great composer and detective, is waiting for his mid-morning repast of cherry muffins when he is visited by the great French detective inspector Charles LeChat. All the muffins have disappeared from Paris, and Inspector LeChat fears that the same fate is befalling Vienna. The culprit may be the nobleman, Don Pastrami, who has been known to sing as the great operatic tenor Apollo Grosso-Fortissimo. After exciting adventures and terrible musical puns, Mozart lures him out of hiding by playing the tiny violin that he played when he was five. Then the great and terrifying confrontation scene commences:

Mozart:  "Don Pastrami! I've come to get you!"

Don Pastrami:  "You'll never get me!"

M: "You are the awwwwwful mufffffin fieeeeend!"

DP: "I am!"

M: "Why did you take the muffins?"

DP:  "I did it. I felt like it. That's all."

M:  "You must have had a reason."

DP:  "I didn't have a reason. Go away."

M: "Tell me. Tell me why you took the muffins."

DP:  "No!"

M:  "Tell me!"

DP:  "No! "

M:  "Tell!"

DP:  "No!"

M:  ''Tell!  Tell!"

DP:  "No! No!"

M:  "At least shake hands.......to show.........that you're not chiiiiiicken."

Truly one of the great scenes in opera, children's literature, or anywhere else.
--from The Muffin Fiend, Daniel Pinkwater. Lothrup, Lee & Shepherd, 1986

Friday, February 22, 2013

Schubert Ensemble at the Coleman


I am amazed again and again at how hard chamber music groups work. They play ambitious programs, and when the greedy audiences ask for encores, they comply! I kind of wish they wouldn't, because they've done enough and they've already assembled a musically coherent program. The fine musicians of this group gave us:

  • Martinů—Piano Quartet No. 1, H. 287
  • Mozart—Piano Quartet in G minor, K. 478
  • Schumann—Piano Quartet in E-flat Major, Op. 47
Someone or other at the Julliard School said that playing piano in a piano quartet was more demanding than playing a piano concerto. I agree. Any one of these pieces would have been a feast. All three of them, in one program, on a mild SoCal winter Sunday afternoon, made a transcendent experience. I love watching the play of the eyes as they play together.