Showing posts with label found poetry. Show all posts
Showing posts with label found poetry. Show all posts

Wednesday, June 14, 2023

The New Normal 2.2 (featuring The Clairvoyant Widow)

 


Karen Greenbaum-Maya Archives | U n l o s t (unlostjournal.com)

The cento is a fun form and something of a Rorschach test for the poet. You pull out some other writers' work and take lines that strike you, in no particular way. Then you arrange them so that the order makes sense to you. I love found objects and found poems anyhow, and when I saw that line of Roethke, I knew what to do. I have included this one in my tribute to my husband, The Beautiful Leaves, which Bamboo Dart Press will publish in August 2023.

The Ballad of the Clairvoyant Widow

--a cento of lines of Christine Gosnay, Michelle Brittan Rosado, Russell Salomon, and Theodore Roethke

   Slow, slow as a fish she came,

A green angel swaying branches.

The wide streams go their way.

She went in slowly, and found him.

She watched the river wind itself away.

 

   Everything undoes itself.

He woke with mountains in his knees.

She saw her father shrinking in his skin.

She thought a bird and it began to fly.

The light cried out, and she was there to hear.

 

   The wings have fallen off. The arms too.

It was as if she tried to walk in hay.

Once she knew how to run.

She came to the western river,

breathed as if moving a hand toward a candle.

 

   The sleep was not deep but waking was slow.

The outline of one is inseparable.



Monday, February 4, 2019

Values on parade: eavesdropping at the Louvre




Arrows



Back in the day, on our second trip to Paris, we moseyed through the gallery the Louvre docents had given to the Italian Renaissance. Most visitors were not moseying. They were trotting, hustling even, on their way to the room with only one access and no exit that houses La Jaconde, La Giaconda, aka Mona Lisa. We were enjoying the art and lingering, but not everyone felt the same way. One American (Madras shorts, loafers without socks) held forth in the middle of the room, proclaiming that no one really liked Picasso, that his fame was all a scam put forward by a cabal of critics. (As it happened, Walter adored Picasso, so he made some extraordinary faces to keep from laughing out loud.) However, there were also two guys who were thrilled by what they were seeing. They stood for some time before some master's painting of the martyrdom of St. Anthony, namely, the muscular yet lissome saint being riddled with arrows. Then one said to the other, with some exaltation and exhilaration and reverence, "You can't call yourself a man if you don't make Art."